FGFC: Strait-Jacket

Well kids its time to once again open up the vaults and dive headfirst into another Final Girl Film Club flick. I'm not even going to beat around the bush this time, I freaking Loved Stacie's pick this month, which was "Strait-Jacket." An awesome movie from 1964 from director William Castle, or as I call him "Oh he of 'House on haunted Hill' fame" because I fell in love with that movie when I saw it too. So the man has chops. Not only that but the movie stars Joan Crawford, who I had just seen in "What Ever Happened to Baby Jane?" So clearly going in I was psyched.

Preamble crap:

This month a return to the shorthand form that I started with. Partly to try and reclaim the fun, partly because I'm ass deep in boxes full of my belongings trying to get ready for a move. You'll roll with me on this one right?


The Cast:

Lucy Harbin – Joan Crawford
Carol Harbin – Diane Baker
Bill Cutler – Leif Erickson
Emily Cutler – Rochelle Hudson
Michael Fields – John Anthony Hayes
Doctor Anderson – Mitchell Cox
Leo Krause - George Kennedy
Raymond Fields – Howard St. John
Mrs. Fields – Edith Atwater
Frank Harbin – Lee Majors


Whats the basics?

Lucy Harbin (Joan Crawford) comes home early from a trip to find her younger husband, Frank (Lee Majors) aslseep in bed with his lover. Distraught, Lucy lashes out at the lovers with the first thing she finds, an axe! Unfortunately he 3 year old daughter bears witness to the horrific acts (both the murders and the extramarital shenanigans)

20 years later and a lot has changed, Lucy has spent her time in an asylum after being judged insane and is now being released to live with the now adult Carol, and Carols uncle, Lucy's brother Bill and his wife Emily.

Adjusting to life on the outside is difficult for Lucy, she is nervous around strangers, including Carol's "almost fiancée" Michael, she is uncomfortable with the way she has aged, she is hearing things and even having nightmares (severed heads on a pillow, not so good for the sleepy time),

Lucy seems to have ups and downs, Carol treats her to a makeover, which leaves lucy looking (and occasionally acting as if she were) 20 years younger. Of course all of the progress hits a bit of a snag when Dr. Anderson from the asylum stops by for a visit. Lucy once again becomes very nervous and agitated, and people start getting killed.

But is Lucy the culprit?


What works for me?

As we know I'm a sucker for well shot black and white, and there were times here when director William Castle (Oh he of "House on Haunted Hill" fame) just blew me away. There were literally a few stills that I would love to have blown up as art on my wall. But I don't know, maybe that just makes me a geek?

Aside from that the acting was pretty damned good as well, I mean Joan effing Crawford! You know you love her don't deny it. Then there is Diane Baker, I found her performance to be very good on the first viewing but on the second viewing once I knew that she was in fact the killer I found the subtlety that she put in there to be pretty near to brilliant. Her face during that first uncomfortable hug, he body language during her conversation with Dr. Anderson, the little digs she put in when "pushing" Joan Crawford's Lucy into doing things she wasn't comfortable with. Really I just loved it, beautifully disturbed!

Say what you will but I say that rhyme was awesome, so aweome I'm sharing it right now, just you try and stop me! "Lucy Harbin took an axe, gave her husband 40 whacks. When she saw what she had done, she gave his girlfriend 41." That just plain rocks, if I have kids I may teach that to them. Hey, don't judge me, you probably taught/will teach your kids that horrible rhyme about the black plague.

Since I brought up the ending where Carol turned out to be impersonating/framing her mother for the killings in an attempt to get Michael's parents out of the way. If you look at the story as a whole, give the movie an extra viewing or two you will see that actually it is laid out very well so you are lead to believe that it is probably Lucy, but Castle was very careful to shoot it in a way so Carol's ultimate reveal could make sense. Had the movie been made today, odds are there would have been unexplainable stuff thrown in there to put you off the trail. Laid out quite well indeed.

In addition to the main killer story there is also the intertwined secondary story with Lucy's sanity. Clearly she was better when released (or as much "better" as she could be) as is evidence by the ending where she is quite clear about what has happened and what needs to be done, she was just being driven back into madness as part of Carol's plan.

A young Lee Majors losing his head. I don't need to say anything other than that, Fun!


The other side of the coin:

With all the good there was a bit I found to be, well not great, but still not really bad. Mainly there wasn't a whole lot of feelings of danger for most people. Michael, Lucy, Carol, Bill and Emily never seemed as if they were possible victims of the killing, so that is just a bit over half of the main cast feeling safe and sound right there (ok so one of them was being driven crazy, but that wasn't revealed really until the end). Also Leo Krause the creepy jerk farm hand really seemed like the only reason he was there was so someone could be killed between Dr. Anderson and Mr. Fields, nobody even noticed poor Krause had eaten it.

Dr. Anderson, why did he feel the need to lie to Bill but felt it was ok to suddenly speak the truth to Carol? And for that matter, assuming that Lucy was actually released on probation clearly they would have had to let Bill and Emily in on that since it was their property she was staying at yes?

Also disappointing to me was that Lee Majors did not pop back up in the last half of the movie with a new bionic head....Ok so this one wasn't ever even a consideration, but come on that would have been badass!


Rhetorical questions:

Who was watching 3 year old Carol while Frank was out getting his groove on?

Why was Lucy the only person to get off of the train at that stop?

Did you notice the Columbia statue at the end is headless?

Did you laugh in delight when you noticed it like I did?

Are you judging me right now?


Obligitory ass kissing moment:

Once again I have to mention how much I enjoyed this flick, and dammit I just have to say Thank you Stacie, I doubt I would have found this one on my own.






Boomer Sooner

FGFC: The Food of the Gods

Wow is it really that time again? It seems like it was just a month ago that the last Final Girl Film Club pick was due... You know the drill, Stacie over at Final Girl picks a flick, for us to watch and then we talk. You know, no big whoop.

As is tradition I scoff at the traditional Monday due date. You can't tie me down with your rules man! Rules never stopped me from eating a full meal and then hopping right in the swimming pool did they? The never stopped me from watching too much TV and sitting too close either. And they certainly didn't prevent me from feeding my Mogwai after midnight whenever I damn well pleased... OK I admit that last one may have been a mistake, but the rest of them all lead to a good time!

This month the movie choice is “Food of the Gods.” A movie from 1976 which not only has animals running amok, but giant animals running amok. Going in that is about all I knew, and frankly that is all I really needed to know. Seriously if giant animals on a rampage doesn't put your ass in a seat you really should be asking yourself who took your soul and is it possible to get it back*.


The Basics

Football player, Morgan (Marjoe Gortner), his teammate and friend Davis (Chuck Courtney), and Brian (Jon Cypher) their PR Man decide to spend their upcoming days off getting a little RnR hunting on “The Island.”

So while hunting a stag, well apparently Morgan was just chasing a stag, but Davis wants some venison. While the others yield to the wild animal and let it run off Davis takes even more chase deeper into the woods. For all the effort that he put into the chase he is rewarded with the opportunity to give a giant angry wasp a piggyback ride! The wasp, clearly offended by Davis' reaction, decides that its stingin' time! Bye bye Davis.

Morgan leaves Brian with their only mostly dead friend and goes off to find a phone for some help. He winds up at a farm, when nobody answers to his knock goes looking in the barn, what he finds there is not a farmer. Instead he finds a giant rooster and some super sized chickens. As “Family Guy” teaches us when confronted with a giant rooster ya gotta throw down! A well placed shot with a pitchfork and Morgan is saved from a beaky death.

After his barely surviving the rooster incident Morgan gives the house another whack and this time he finds Mrs. Skinner (Ida Lupino) at the door. After yelling at him and threatening him with a shotgun and informing him that there are no phones on the island save for at the ferry she asks him for a favor. She wants to see if something is what she thinks it is and since Mr. Skinner isn't home yet she can't ask him.

Sure enough Morgan agrees that the holes in the wall are from rats. This vexes the poor lady, she is afraid that they have gotten into the special food, the food that the lord sent them. Frankly if it were me and I had some kind of strange food that made baby animals grow gigantic and go all meat eater on me I'd probably have that food sealed up pretty tight and secure. Not ol' Mrs. S. she rolls with the jar out on the table and the lid off. She's a rebel that one!

On the ferry back home Mr. Skinner (John McLiam) wonders if anything strange was up while he was gone. Upon hearing of Davis' death he asks if the friends said anything about seeing any kind of “big anything.” Clearly he knows of Mrs. Skinner's sloppy handling of the foodstuffs.

While investigating a crash in the kitchen Mrs. Skinner's arm is attacked by some giant maggots. Had he been around Bear Grylls would have been in heaven, those suckers would have kept him in energy for a month.

While driving home Mr. Skinner gets a flat. Before he can get it fixed he is attacked by a pack giant rats. What ensues is the first of what will be many completely awesome rats attacking a miniature structure shots. By attacking I pretty much mean crawling all over... but still!

The next day we see douchy businessman Jack (Ralph Meeker) and his assistant Lorna (Pamela Franklin) driving towards the farm. Along the way they pass a Winnebago containing the pregnant Rita (Belinda Balaski) and her man, who is definitely not her husband Thomas (Tom Stovall). Rita seeing Douchy Jack driving by runs up to flag him down since the Winnebago is broken down but Douchy Jack, being a douche, opts not to stop.

Since Mr. Skinner isn't back yet Mrs. Skinner is reluctant to show DJ and Lorna the secret ingredient that makes the animals big. But Jack douchily finds a way to convince her. As it turns out the secret ingredient that the lord sent is some kind of goo spouting out of the ground. Yep thats right, if you want your animals to grow up big and strong you gotta feed them God Goo!

The revelation is broken up swiftly by the return of our friends the wasps. Boy if they thought that Davis had a bad reaction to the whole piggy back thing wait until they meet the douche.

Jack actually surprised me a little bit here, in a very uncharacteristic move he grabs a shovel and heads out to get rid of the wasps. He doesn't do too well on his own. Luckily Brian and Morgan, having decided to return to the island and rid it of the wasp menace, pull up just in time to lock and load and help Douchy Jack save the day. Well not day, but minute or so. I think Jack would have had better luck had the wasps not been utilizing some kind of cloaking technology making them semi transparent.

After dark, once the wasps would have returned home, Morgan and Brian head nest to take care of things. They do so with fire and explosives. Solid, transparent or opaque not a single wasp could have survived that beautiful explosion!

While Lorna gets trapped in the rat tunnels requiring rescue our Winnebago bound friends are running into some rat trouble of their own. Morgan and Brian save Lorna of course, and Tom and Rita escape their now rat covered vehicle on foot. I can't stress enough how much I love the rats swarming miniature vehicles shots, pure awesome!

Douchy Jack wants get the hell out of there, he does offer to take anyone that wants to go with him. Of course as Morgan points out there is a chance that the rats could still get them, even in the car. Arguments and threats ensue and it is decided that Morgan and Brian will take a trip in the jeep to see how bad the rat problem is. Brian isn't thrilled at this.

While the boys are out checking on the rat problem Douchy Jack is busy filling up every container possible with the God Goo. Lorna on the other hand is concerned about Rita who is sick and possibly having a miscarriage.

Morgan discovers a fence stretches all the way around the property, even through the water. He believes that the rats are too heavy to swim and will just sink to the bottom of the water. Brian, being the thinker, points out that the fence is kind of puny and won't hold the rats back long. Morgan thinks differently, the fence will work wonders! ...if it is electrified.

One little generator and a ground later and Morgan's shocking fence dreams become a reality. Luckily the plan worked and the rats retreat from the electric fence. Down at the water the theory turns out to be correct. Them rats is sinkers! Well at least the half of the pack that showed up to the water is, the other half are back at the generator site apparently knocking a tree down to break the thing.

Upon discovery of the busted generator Morgan does what any sane man wouldn't do. He hops out of the jeep and attempts to move a tree to possibly fix? The generator. Sadly this is just the opening our friends the R.O.U.S.s (Rodents of Unusual Size) were looking for and they go on the strike. Morgan escapes the ordeal with just a bit up arm, Brian isn't quite so lucky. He'll be spending the rest of the flick standing next to Davis.

When Morgan pulls up Douchy Jack is trying to convince Thomas to get Rita into the car so that they can all leave. Jack makes a douchlike comment to Morgan about the missing Brian which results in a confrontation and then leads Morgan to go on a God Goo dumping spree. This is just the distraction the rats needed and they charge the house. Everyone who hasn't been a giant douche throughout the whole ordeal makes it back into the safety of the house. Jack on the other hand gets et.

During the attacks they discover the white rat that is apparently the leader. The shotgun shells aren't going to last forever, something has to be done. Morgan's plan is to make pipe bombs out of the black powder from the shells, and fire bombs out of pretty much every other flammable item in the house.

Once finished creating his weapons Morgan tricks convinces Thomas to help him take the fight to the rats. They shoot their way to the jeep, head to the dam, which Mrs. Skinner conveniently mentioned to Morgan at some point, and set the pipe bombs to blow the dam out and flood the island.

While the guys are out setting the bombs the rats are still at the house swarming (more fantastic mini work!). One rat finds it's way into the kitchen only to be attacked by a butcher knife wielding Mrs. Skinner. Her knife fighting skills are met with mixed results... By mixed results I mean that she dies from the bite wounds at the same time that the rat she was attacking died from her knife wounds.

Proving how inconvenient it really is to have a pregnant woman with you in the middle of a giant animal attack Rita actually gives birth to a healthy baby boy in the middle of all of the action. Man is that kid going to have an awesome story that none of his friends will believe.

As the water from the dam reaches the house Morgan rushes in the door and orders everybody upstairs to avoid the water (and probably the angry drowning rats as well).

After a scuffle with a couple of roof clinging rats everything appears to be over. Then the white rat leader leaps out from behind the roof and Morgan realizes that he just busted the last of his caps. No problem, being the man's man that he is Morgan is able to wield the gun as a club and bludgeons the rat until there is no more problem.

What is the recipe for a good cleanup? Take one large pile of soaking wet giant rat bodies, add in the apparent last jar of God Goo, throw in some leftover gasoline, toss in a match and watch your trouble just go up in flames.

As the movie ends we see two jars marked FoTG being washed away all the way down to a place where cows are grazing, cows who are then milked, milk that is then sent to schools, schools where children drink the milk!

Uh oh...

*Animal rampages involving giant spiders are the exception to the rule. Sometimes you can avoid those and still have a soul... Spiders is scary.


Thoughts

First off I have to admit that out of the impressive number of movies that I have seen in my day my experience with the “animals run amok” genre is disappointingly low. I've seen a few, but nothing of not that comes directly to mind. But I do love the idea of them, and I shall be watching more. The question begs, was “Food of the Gods” a good place to start? Well lets see.

So yeah the acting for the most part was what you would expect from this kind of fair, lots of over the top, a little stiff, and one dead on portrayal of a douche, well maybe not dead on but I certainly enjoyed Ralph Meeker's run as Jack (could you tell?). So you won't find me complaining too much on that aspect.

The plot delivered everything it really needed to. It was simply a device to allow some sweet giant animal attacking action wasn't it? Did it work? You bet. Now I know that this is based on a story by H.G. Wells, and I haven't read that so I don't know how close a translation it is, but I would suspect that some stuff was dropped, and some was changed. Obviously the story had a deeper message, the movie tried to keep it at least a bit in the pre and post narratives with Morgan, and of course the action. But it did seem a little tacked on or forced with the narrations to me.

Ah now we get to the real good stuff, the attacks. They started out a little silly with Davis being attacked by nothing and then giving a piggy back ride, though the swollen effect made up for that and later on with the rats they entered the realm of campy and excellent. The giant stuffed rats themselves weren't that realistic looking, but what they lacked in quality they made up for in quantity. I sound like I'm kidding but it actually worked for me, with all the movement and business of the scenes combined with the surprisingly decent looking injuries it just worked. Now the stuff that I took entirely too much joy from are the rats climbing on miniature set pieces scenes. Those were just so deliciously camp that I just couldn't get enough of them.

I also enjoyed that The rats make feline noises.

If I had any criticism I guess it would have to be the pace. It seemed a bit clunky, there were times when I was really lost in the moment and having a great time, then it was like a brick wall of boring stuff trying to drive the story on, the extra cut in of Rita and Tom arguing over marriage comes to mind. That could have easily been a part of a scene that ended in them running from the vehicle instead of a tension breaking cutaway. Little nit picks like that is all I've got.

Oh yeah and the stupid freeze framing during the opening credits, yeah that annoyed the hell out of me. I thought the Netflix stream I was watching it on was wigging out. Don't do that!

Overall I would say I had a good enough time with the movie. It was worth the netflix stream, I wouldn't purchase it and there are aspects of it that make me hesitant to recommend it to others (See disclosure below). But the parts of it that were good were good enough to keep me interested in the genre so I'm glad that I stuck with it.


Full disclosure

When I was writing my thoughts and the recap I had made the decision to try to gloss over or ignore the obvious trauma to the real rats that took place. As I post this I realize that it is kind of irresponsible. The obvious animal abuse was extremely troubling to me, it certainly wasn't entertaining to watch. It was sad and a really poor choice to make when filming. Though over all I did enjoy the movie it was a tough hurdle to climb and it did wreck the rewatchability.

FGFC: Beardless Brolin edition (AKA "The Car")

So once again the time is here, we hang our hats, put up our feet, grab our favorite snacks and drinks, shut out the lights, remove our pants, and tune into the Final Girl Film Club pick. Which of course can be found over at Final Girl.

...What, you don't do the pants thing? Whatevs.

This month's pick is a big one for me. Not only had I heard of the movie prior to it being picked but for the first time ever I had actually seen the damn thing. Of course in the name of science I did give it a second watch just for the club. Also if you were thinking that having prior knowledge of the movie made it possible for me to write this up in an “on-time” manner you must be new. Actually the plan was to view and write during the day on Sunday when I was clear but once again fate thwarted my attempt. This time it was the form of 20 power free hours. But by Brolin's Beard* I sear to thee that I shall have this out before midnight PST.

So “The Car,” which was this month's pick really interested me when I first heard about it. First point of order though I wish it were so I am unfortunately by no means a gearhead. But I am a wannabe! So any movie about a car in some fashion that doesn't require lots of knowledge about said car excites me. It really is a matter that hurts me, “Two Lane Blacktop,” “Vanishing Point,” and even “Bullitt” are movies that I do really like but I always always feel as if I'm missing something in the translation. That may be a sad commentary on me as a person. Also I should apologize in advance, this thing kinda got away from me. It's long, crazy, and I think I was jerk enough to leave a few bad puns laying around.

So anyway back to “The Car.” James Brolin, an evil murderous car, 1977, which way will this go? Well lets see.



The Story
The story is fairly simple. Which is the beauty of it!

A car made of evil is on the loose and wreaking havoc on a small Utah town. Said evil ends up gaining the attention of the police Capt. Wade Parent (James Brolin) which could be problematic for the car's future in evildoing.



Thoughts: Good or Bad?
See, told you it was simple. Well ok you got me I could go into synopses and make it more complex but really going in that is ALL that I needed to be excited. That may make me an easy mark I'm not sure. Still the fact remains.

But did it hold up to my expectations? After two viewings I'd have to say yes, yes it has. The movie simply had it all; action, adventure, mystery, mild spelunking...

What can I say “The Car” had me from the beginning. The first kill(s) set a good tone. Two random bikers going across a bridge are harassed first and then bumped off by The Car. Sadly I don't have the ability to paint a picture with my words that would do it justice but it did a nice job of setting things up. Loud, intense, unapologetic, but not gory. Got it!

The pace set forth by the first attack by the car was kept up nicely with the second attack. This time instead of random bikers we get to meet the victim. A man who goes by the name of Johnny Norton. A man by the way that on my first watch through I thought was going to be a pivotal character through the movie, he had just enough detail to fool me into believing that he would stick around. Sadly he made the mistake of uttering to the speeding past car one of my favorite taunts I've ever heard; “Up yours with a splintered fiddle!” Thats just awesome, isn't it? But seriously even though young Johnny tried to do the right thing and stop spousal abuse he also did something evil in its own right, he played the French horn early in the morning while people are probably still sleeping. He deserved the plowdowning that he got and at least one of the backups. Also...he was a hippie, farting music for a whole year indeed!

And what of our man Wade? We first get to meet him as he wakes up with Lauren (Kathleen Lloyd) his lover watching him sleep. What ensues is typical let's do it before the kids get in here fare which she takes care of in a quite unique and might I say discomfort inducing manner. Still a lot is packed into that little scene. We learn that Wade is a single father of two, they don't know that Lauren sleeps over (except that they do, he just doesn't know), he is a cop, Lauren is a teacher. But most importantly we learn that it is highly possible that Josh Brolin isn't actually the start of “No Country for Old Men” my theory is that James Brolin in 1977 stumbled upon a time machine directly after filming “The Car” flashed forward in time and stepped out directly onto the set. Picture evidence below.


See what I mean?

So anyway going forward The Car rampages more, reports come in, including one that the car has no driver. Now here is another thing I really liked about the movie. It didn't play out like a “monster” movie with a Satan car. It played out like a crazy automobile movie, that is how the cops handled it, that is how the cops Would handle it if it were real (what is real?). It just so happens that this crazy automobile might in fact be the devil, who knew!? There wasn't any magic, no spells or curses, just cars, speed, and explosives!

There were some cheesy cliches in there, I won't lie. Extremely flammable from inside the cab cars for starters. Thats a standard I know but it always strikes me as a little bit strange to me. Maybe its because of that episode of Mythbusters, or maybe I really am jaded? Also Lauren taunting the car at the cemetery was a little questionable. She had no idea why it wouldn't come in there to get her so when she started it seemed a bit unintelligent (and she is a teacher remember?). Of course it provided a good comic beat to break up some of the uncomfortableness, and then when it became necessary to keep The Car distracted it worked.

Cheesy in a good way was the Devil hand in the fireball at the end. And by the way, did you notice that the only way to kill an evil car of any kind is to actually blow it up. Well that isn't true, K.A.R.R. Survived an explosion!

I really can't think of too much to even say about the movie that would fall under the “didn't like” banner. About the only thing that I thought was kind of a bummer was the way that Lauren went out. Yeah it was important that she go so that Wade could take the revenge kick up a notch. But I just don't like the idea that she can have these dumb moments like she does.

Here is a hint for you Lauren if you are being stalked by a murderous vehicle always have a lookout and an escape. Don't send your only refuge off to check on his family, especially not if he is supposed to be on the job! Also if you are standing in front of a big window and you can see some headlights outside of it paired with a loud and unsettling honk feel free to assume that you are right and The Car is there and you should find higher ground. Don't wast time making a call to voice your suspicions. Seriously she was pretty much asking The Car to turn her house into a drive-through.



Final Thought
I'd recommend giving this a rent without hesitation. There are some scares in there that come in the form of discomfort. The old “Jaws” like adage of a loud noise repeated can affect you is really in effect here but in a non rip-off way.

There is some subtle but good stuff in there. The wind the precedes the car was probably my favorite. Also most of the non major characters had their own little sub stories going on that helped develop them a bit. I've never read the book but my instinct is that this is some of the good holdover coming from there.

Though I thought the ending of the movie was pretty good and didn't seem out of place apparently there is an alternate ending that is the ending from the book. I kind of wish I had seen that.



* I have in fact been using the term “Brolin's Beard” far far too often since Stacie coined it.

FGFC: "Suspiria"

Ah yes here we are once again for the Final Girl Film Club a.k.a. the FGFC. I'm fashionably late for it again as a matter of fact. I have an excellent excuse though. You see I believe that all important things should be put off until the very last minute to ensure that you keep your ass on your toes while you are doing it. Any simp can do something when they have all the time in the world. The pressure of the approaching time line focuses, keeps ya sharp and fearful. So that was my plan, spend the final weekend before Monday preparing my thoughts. At least that was my plan until I got a call from a friend who had just snagged “Rock Band” for the weekend and my presence would be required as without me the rockage would be severely underpowered. Fear not though my abandon for responsibility didn't go unpunished, my lesson was learned by way of an errant drumstick to the face (Message received loud and clear!).

The plan was then changed to go hang out and rock out for the weekend and return home Monday morning to spend some time with the movie and Open Office. Sadly being a non driver I rely on the word of others for transportation, I have to make plans as I live in a place where even cabs won't go. Even sadlier (or sadder if you are boring) I know a lot of unreliable people who say they will show up at about noon but don't actually show up, with nary an explanation, until after 6.

So where was I? Oh yeah This time around the movie is “Suspiria” Let's roll!

...This is the part where I mention as usual I went into the movie knowing precious little about it etcetera etcetera...


The Abridged Story
So here is how it goes down.

A dancer,Suzy Bannion (Jessica Harper), goes to study at a dancing academy in Germany. Unfortunately the trip turns out to be full of the bad.

For starters as soon as Suzy arrives in Germany she is greeted by terrible weather. Not only that but she has a lot of trouble catching a cab, even when she does finally get one to stop the cabbie is kind of a slapass. I mean come on man, the words she said were the same ones you said. Why couldn't you understand?

As soon as Suzy arrives at the academy she sees another student at the door talking to someone and making a quite hasty retreat. Following that Suzy is denied entrance and must crawl back into the cash cab and head elsewhere for the night.

We find out that the retreating girl has a name! Pat Hingle (Eva Axén), we find out she was kicked out of school but she really doesn't give a damn. But really whether or not she gives a damn makes no never mind as soon enough she is greeted by some Scooby-Doo eyes from outside the window just before a hand reaches through the window and Pat is treated to the good old smash, slash, stab, an hang treatment. The friend that Pat was staying with isn't left out either though, she gets the falling stained glass window shrapnel treatment. That old chestnut!

The next morning, back at the academy Suzy arrives gets to meet the creepy Miss Tanner (Alida Valli), the even creepier Madame Blanc (Joan Bennett), and the creepiest of them all the young blonde nephew of Madame Blanc, Albert (Jacopo Mariani).

Suzy is informed that her room isn't ready yet, but arrangements have been made for her to temporarily board with another student, Olga (Barbara Magnolfi). Suzy gets to meet Olga in the locker room before class, she also gets to meet Sara (Stefania Casini) whom she strikes up a friendship with.

This takes us to the scariest thing in the entire film. Olga's walls, holy black and white flower explosions!

Suzy starts piecing together what she heard Pat saying as she left the building the night before, well two words of it at any rate (so far).

Now that Suzy's room at the academy is ready Suzy decides that she prefers the power of the flower and she wants to stay with Olga instead. Blanc doesn't seem thrilled, but what can she do? Oh I don't know, how about having a member of the staff cast a little spelly spell on Suzy, how about that!

Now Suzy isn't feeling very well (damn that black magic) but Miss Tanner isn't hearing any of that noise, she wants to see Suzy dance. So dance Suzy does, poorly, I give it like a 4. I had to take away points for that whole passing out and bleeding from the nose and mouth that happened at the end.

When Suzy wakes up she finds out that; Miss Tanner would really like it if she would drink some water, she lost a lot of blood which need replenishing, shots hurt, and Olga didn't like the idea of bunking with a leper. On the plus side Suzy's new special diet does include wine, lots of wine.

So yeah, maggots falling from the ceiling? Gross! I think so, the girls think so. Unfortunately it can't be fixed until the next morning. The answer? A Pajama Jammy Jam in the dance hall!

A strange snoring is emanating from behind Suzy and Sara. Sara has heard it before, it comes from...the Directress! Dun DunDunnnnn

The next night Sara is in Suzy's room talking about the teachers walking at night. Suzy realizes it doesn't sound like they are leaving the school, They are walking away from the front door, not towards it!

Like a fool Suzy goes to Madam Blanc to talk about Pat's disappearance and if she knows anything about the words “secret” and “irises” which are the words that she is remembering from the night that Pat was killed. Blanc knows nuthink! So in her never ending pursuit of answers Suzy talks with Sara (this time in the pool). Sara reveals that the person Pat was talking to as she left the building that night, Sara was also the voice on the intercom sending Suzy away.

Sara was planning on sharing the notes on the teachers that she got from Pat with Suzy that night until they were stolen. So instead of discussing the notes she woke Suzy up to tell her how they had been stolen. Suzy is acting like she is drugged up sleepy and thus she is unable to answer when Sara asks her if she knows about witches.

Sara hears a noise and flees the room. Running the halls she is unable to find a place to hide until she finds the steps up to the attic area. In the attic the yellow eyes make a reappearance and nearly get Sara until she locks herself in a room. The lock on the door isn't very effective so an alternate escape must be made, as luck would have it there is a window. Tough luck though, the ground under the window is covered with a ton of razor (or is it barbed?) wire. Even worse luck Sara doesn't notice this fact until after she jumps directly into the middle of it. In a fit of the worst luck ever Sara is not only writhing around in the sharp wires but now she finds herself stabbed!

Back to Suzy, now awake, she can't seem to find Sara. Miss Tanner informs her that Sara snuck off in the night. Suzy obviously worried calls a friend of Sara's, Dr. Frank Mandell (Udo Kier), they make plans to meet and discuss.

Frank has spoken with Sara's family and they have no news. We learn that not only was he Sara's friend but he also was her psychiatrist in the past. Lately Sara had been concerned about some strange notions that she had been told. Notions about Madame Marcus, the founder of the academy who was a suspected witch. As Frank doesn't believe in witches much he introduces Suzy to Prof. Milius who has studied them extensively. He can answer her questions.

Once prompted Prof. Milius discusses Helena Marcus which leads to a discussion of covens and how to take them out (whacking the head witch Soprano's style baybee!).

In her room Suzy sees the Scooby-eyes peeking so naturally she opens the window to investigate. Bad move, a crazy bat flies in and makes with the attack. That is until the bat starts flying low to the ground so Suzy can cover it with a blanket and use her stool to create some mashed bad soup on the floor.

Once again hearing the footsteps going in the wrong direction Suzy decides enough is enough, she is going to investigate. She finds her way into a carpeted room, which explains why she can't hear footsteps beyond that point. This is another room with no exits other than the door she entered through...or is it? On the wall she spies three painted flowers, irises in fact. Another flashback reveals that Pat actually said “Three irises turn the blue one,” and she does which reveals a secret door. Jinkies!

In the door is a long long hallway at the end of which Suzy finds a room in which; Miss Tanner, Madame Blanc, Albert, and many others were discussing her. “She must die die die” exclaims Madame Blanc who then prays to Helena Marcus to give her the power (not of Grayskull).

Suzy turns around behind a curtain and finds the bloodied and slightly mutilated body of Sara. She doesn't really have time to freak out though as this is enemy territory so she still needs to hide. A quick duck through a door provides some cover, briefly. It turns out she is in Helena's bedroom, she hears that strange snoring and sees someone in the bed behind a curtain (lots of curtains in this place). Naturally a bit nervous Suzy knocks a lamp over which wakes up Helena.

Good new, Helena has been waiting for Suzy. Bad news when Suzy opens up the curtains there is nobody in the bed. Worse news, an invisible Helena starts taunting and warning Suzy about a meeting with the dead coming up very soon. Good news, Sara is back! Bad news, she is a knife wielding zombie. Good news, Helena isn't 100% invisible anymore and thus is once again stabable! Bad news, now that Helena is dead (along with the entire coven) the building is tearing apart.

Suzy makes a run for it and escapes just in time and walks off to live a full long happy life. Unless of course the authorities don't accept her explanation for all the deaths and destruction...but that is just my theory.

Helena would have gotten away with it all! If it wasn't for those meddling kids.....

Thoughts
First things first, the movie is visually beautiful. Even the grotesque images were done in a way that you couldn't help but admire them (in a manner). Many of the scenes had a look as if they could have easily been images plucked from the pages of a graphic novel somewhere, brilliant uses of light and color. The movie literally made me wish that I had a bigger TV and a better setup just so I could do what I was seeing justice.

I thought the dubbing was done quite well and for the most part seamlessly. I always find this kind of thing interesting, how insanely difficult would it be to get a story told when many of the actors are speaking different languages and don't understand each other. They really have to know the script and the director really needs to keep on his/her toes!

At first I thought the pacing was going a little slower than it should but as the movie progressed it started feeling really right, for the most part. Where as early on it seems to be taking a slight bit more time than it needed to the ending, though good, flew by a little too quickly.

As I said, the ending was good. Its just, the showdown between Suzy and Helena went by so quickly that it almost became anticlimactic. The visuals were awesome though, the energy outlining Helena giving Suzy a target looked really good and the undead knife wielding Sara looked awesome! I feel sorry that she didn't get her chance to attempt to make with the stabby.

The main weak point again surrounds Helena. Or the lack of her. There is a very well thought out back story for her, unfortunately it is all brought up at once fairly late in the movie. There were a few hints and whispers early on but not enough for me, or at least not clear enough. A few more bits of her story should have been dropped throughout the early parts so that when Suzy finally does talk to Dr. Mandel and Prof. Milius and gets the whole story it is more of a putting together of things we know instead of a lot of new information to remember.


Final Thoughts
While I wouldn't call “Suspiria” perfection I would call it a very good movie and a great time. It is a little bit like watching insanity unfold, but in a good way. It held up extremely well to multiple viewings, especially the visuals.

“Suspiria” was a great introduction into this type of film and I can't wait to dive back in and see what else an be found!


In other news
People whose names start with an S are sssssnakessss ...Discuss.